A gorgeous friend of mine, Robbie, is always immaculately dressed and because he is both generous and extremely well put together he allowed me to take a look at one of his (I think) most excellent pieces with the express purpose of purloining a small bit of his style for myself. It’s a beautiful draped woollen cloak which he found in a second hand store in Tauranga and it’s precisely the kind of gender-neutral drapery I have been lusting after for some time now. Taking inspiration from that I made some changes to make the design my own, including using a knit fabric so it would have a little more body and bounce to it and making it quite a lot longer because I have a fondness for dramatic swooping and set to work. I picked up heavy 100% Merino from The Fabric Store who are lovely and also about 10 minutes from my studio (convenient) and then, buoyed by my own successes in making a cape-cloak which I can also use to take a nap in naturally set to work taking selfies.
Anyway, I apparently underestimated the degree to which my pals (particularly on Twitter) also need an outfit for dramatic swooping and impromptu naps because this has far and away been my most successful selfie yet – I’ve had three orders come through. I look forward to making the look du jour for Wellington an elegant nap blankie, and with that in mind popped a listing up on Etsy right here if you would like one for yourself.
Other things I’ve been up to in the last few weeks include attending the Australasian Quilt Convention in Melbourne last week. This is the second year I’ve gone and sadly I didn’t have time to take quite as many photos as I would have liked this time around, but I did pick up some useful bits and pieces. I’m making a commissioned single bed size quilt in blues, blacks and whites and grabbed some nice fat quarters for that.
I also grabbed a rotating cutting board which I’m very excited about for squaring up blocks. While trying to be lazy/speedy the other day I ran over my knuckle with a rotary cutter because I was trying to cut sideways, so hopefully I can avoid more sewing injuries now I have it.
I also took a quick look around the exhibition side of things and was very taken with this (it has a rainbow gradient in it, I know you’re all shocked.) It’s called Dear Angela, made by Phil Thomas and is hand pieced and hand quilted.
I do have to say, since it would be kind of remiss not to mention this, that I would really appreciate it if the AQC declined to let exhibitors/vendors sell Golliwogs at the show. As far as I could see it was just one table, but boy they really went all out in terms of every possible textile craft in which one might want to make a super-racist children’s toy. I kind of can’t believe this is still seen as a remotely? Acceptable? Thing? in 2016 but apparently the AQC didn’t think it was worth mentioning. Quilting in general seems to skew very white and towards an older demographic, which I think is a great shame, particularly given the histories of quilting within non-white cultures and communities (and in fairness there were some great vendors selling fabrics from Japan at the show, including Wabi-Sabi Designs so it’s not like this was completely missing from the convention) . But y’know, maybe the community as a whole would be a bit more welcoming and open if the first thing you see upon entering a convention wasn’t a whole table full of racist caricatures.
Anyway, I kind of hate ending a post on a bum note, because I try to use sewing and quilting as an escape from a lot of my studies and work which often involves grappling with very depressing and grim topics, but I also feel pretty strongly you shouldn’t opt out of critiquing problematic stuff just because it’s inconvenient. (Some time I’m going to really have a spew on here about my frustration with having to sift through stacks and stacks of fabrics which appropriate traditional designs without attribution, but that’s a post for another day.)
I have two (2) things to show off today! The first is a quilt which I made as a birthday gift for someone very dear to me. It’s my first experiment with English paper piecing, as well as the first quilt which is (sort of, I guess) a wholecloth quilt. I’ve been fascinated by wholecloth quilts for ages now, and it might be something I experiment with more later this year. I’m keen to try out multiple layers of imagery in them in subtly different thread colours, because why would I start with something straightforward? That would be the easy way out.
But anyway, a few more progress pictures. I should also mention that the design was inspired by some of the quilts I’ve seen Modern Handcrafts make.
Arranging the hexagons and deciding on my fabric choices.
I sort of love how all the tiny safety pins look spread across the quilt – like a school of fish.
I think this might be as far as I go with paper-piecing. I’m still chipping away at the (very small) paper pieced block for the Sleigher quilt I started, uh, a year and a half ago. I love the lightness of this quilt though and the quilted lines were also my first experiment with using a disappearing fabric marker. It worker surprisingly well and has me thinking about whole cloth projects with more seriousness.
And the finished quilt, with a black and gold binding.
The other thing I’ve been making fast progress with has been the nesting quilt I showed some early progress on in my last post. I’ve around 2/3 of the way through sewing the initial four block portions, I think perhaps another few hours and the whole top should be complete. I like naming my quilts, and I’m still tossing around potential names for this series (this is 1 of 7). Part of me wants some kind of play on the ever smaller quilts, or something to do with the repetition and inversion of form and colour that will be apparent through the whole series.
Presently completed four-block squares.
Dwindling pile of single blocks.
This quilt top looks like complete chaos and I love it (this is just laid out to get an idea – the final version will have some sage and yellow to offset it a little.)
The other development is that I finally got shelves for my studio! No more storing everything in a pile of plastic containers inching ever closer to my workbench. Left is all my fabric arrayed by colour, right is lengths suitable for backing or binding and a separate cube for each WiP.
So, for the better part of the last two years almost everything I’ve made has been chevrons. Different colours and sizes, sure, but chevrons as far as the eye can see. It looks like 2015-16’s look du annual will be hexagons.
The hexy-rainbow I’ve been working on has continued to come together swiftly. (Also this will be posted in my Etsy store when it’s done – if you’d like to bags it before it goes up, post a comment or email me at contact AT fukitu.com.)
300 safety pins and the death of the remaining cartilage in my knees later…
All the free motion quilting done, awkwardly piled over my worktable for trimming before the binding.
So far so good – although there was one casualty of this quilt (aside from my knees and wrists.) My poor little Brother BM-2600 gave up the ghost in a sad fashion part way through the free motion quilting. After probably an hour and a half of running it solidly at top speed it made a very sad noise, slowed to a crawl and started to smell lightly of overheating electrics. I ran it into the ground (I suspect I burned out the motor.) I bought a replacement from the same point in Brother’s line: the GS2510. I’ve heard some people have issues with the longevity of Brother machines, but honestly I’ve never had an issue with their entry level mechanical ones: I used the 2600 for eight years and probably sewed on it for an average of 10-15 hours a week. I should confess I never took it for a proper service, figuring if it blew a gasket in a spectacular fashion I could just afford to spring for a new one and instead just aimed a can of compressed air at the bobbin-zone once in a while. All things considered, given it cost me something like $250 when I bought it I think I got a good deal of life out of it.
I also had a lovely haul arrive from Hawthorne Threads.
My plan for this is a drunkards path quilt, which should measure about 185cm x 185cm when complete.
However, when you trim the white L-shapes for this quilt you’re left with a bunch of smaller quarter circles, which seem to suggest they ought to be in a complementary quilt which is slightly smaller.
And then of course, you’d trim the L shapes for THAT quilt and be left with slightly smaller again quarter circles. Needless to say I took to my high tech design wall.
Expect some delightful smaller and smaller drunkards paths until I get sick of following this weird little rabbit hole. I find the idea of recursive quilts echoing back and forth very very satisfying.
One last tiny hexagon tease though, something I’m revealing in full next week: