I have a finish and an almost finish to show you all today! First up: the teal chevrons.
This is the wideback I chose for the backing – colours were influenced by the request of the friend commissioning the quilt. I mostly pulled the fabrics from my stash, which was exciting – nice to use what I had on hand instead of ordering and waiting impatiently for fabrics to arrive.
Here’s the finished product – the recipient was extremely happy which is always gratifying. Another commission is also almost complete – I’ll be spending tomorrow sewing up the binding. I wrangled my Brother-2600 into free motion quilting which I’m quite proud of – it doesn’t have droppable feeddogs, so I just turned the stitch length down to 0 and hoped. It worked very well in the end, although I need a higher quilting table because being hunched over the machine for five hours today means I spent a solid 10 minutes working the crunchier bits of my shoulders over with a tennis ball this evening.
Pin basting stage.
I used a Gutermann Sulky 40 weight thread for the quilting. In general I liked it – I love the shimmery barely there quality of it, and how it ties all the colours together. I don’t particularly love how it snaps as soon as I ramp up the speed on my machine (strangely only the top thread, not the bobbin thread) although that seemed to happen mostly in the first 30 seconds after I rethreaded the machine. I had a theory that maybe winding on a new bobbin was pulling at the thread and changing the tension, but winding the bobbins off a second reel of the same colour didn’t repair the issue, so the only solution seems to be to sew slowly.
The inspiration for the colours and shape came from a shot on Instagram I saw of a colour theory talk being given at one of the major quilt conferences in the USA – someone had illustrated a colour wheel using a hexagon and immediately I was drawn to the geometrical possibilities. I chose a forest green for the backing fabric for this one and I’m happily back using the bamboo/cotton blend for the batting. Such a dense quilting pattern has given the quilt a satisfyingly heavy hand.
Well, not quite my first convention, but the first I’ve been to since I was in my teens. I made it to the Australasian Quilt Convention in Melbourne last month and really enjoyed myself. It’s held in the Royal Exhibition Building which I’ve often walked past and wanted to look around so this served a dual purpose of allowing me to finally get a bit of a tour.
The exhibition itself was split about evenly between vendors and the exhibition of competing quilts – I restrained myself from spending too much but got a new rotary cutter and a few fat quarters, plus a whoooole stack of pamphlets for machines for me to lust after.
I also got a chance to drive a couple of long arm machines for the first time ever. This is the Juki Virtuoso (excuse the poor lighting) and you drive it with two joystick like handles, then the machine automatically adjusts the length of your stitches as you speed up or slow down (I know this is probably very elementary to a lot of people reading, but I’d never seen one in action before.)
The quilts I was most taken with in the exhibition were the wholecloth quilts and those which used a couple of very large blocks of colour and very fine and detailed quilting.
This is a detail from Sanderson’s Apprentice by Karen Terrens:
And this is a detail shot of Turkish Delight by Phillipa Thomas. I’m particularly fond of her use of silk as a construction fabric – as much as I love patterned cottons I’ve been interested in using other materials for some time (I think I posted a sample block of a chevron quilt pattern in dupioni silk a few years back) and it’s exciting to see someone constructing a bed sized quilt out of silk.
I should also add that the posted information about sharing photos from the exhibition indicated it was allowed as long as appropriate credit was given to the makers – if anyone whose work is featured in this post would like the images removed please leave me a comment and I’ll take them down immediately.
As for my own quilting, I’ve been working on a chevron commissioned quilt – it’s close to done, actually. Some pictures of it in progress (I’ve been sewing it while visiting my Grandma).
Toasty warm in front of the fire.
George stayed home, but Pudding here helped with the all important basting process, making sure the fabric didn’t move while I was pinning it.